Showing posts with label English. Show all posts
Showing posts with label English. Show all posts

September 20, 2007

Grammar resources

I've been remiss in not posting about the latest Growing with Grammar program by my friend Tamela Davis, for Grade 5. More good stuff for home educating families looking for more choice. And more Growing with Grammar posts and reviews (for Grades 1&2, 3, and 4) here, here, and here.

I'm a big fan of Patricia T. O'Conner's Woe Is I: The Grammarphobe's Guide to Better English in Plain English, which I consider an essential reference, but wasn't much impressed by the recent Woe Is I Jr.: The Younger Grammarphobe's Guide to Better English in Plain English, which I found tried too hard to appeal to kids, overly laden with references to popular children's culture, from Shrek to Lemony Snicket and, of course, Harry Potter, with Garfield the Cat thrown in for good measure, as if to recognize that yes, grammar is indeed a vile thing (though not vile in a good sense like noxiously flavored jelly beans) and like broccoli must be dressed up with Cheez Whiz. My Spidey sense/hip-trendy-ironic parent alert started quivering as soon as I read Garrison Keillor's "This is, like, cool" on the cover. Oh dear. Borrow it from the library, but to buy for your son's or daughter's desk I'd definitely consider handing anyone age 12 and up a copy of O'Conner's original Woe Is I. While you're at it, add a copy of her Words Fail Me: What Everyone Who Writes Should Know about Writing, too. Both breezy and informal and not at all overwhelming, And not twee, either.

And much as I enjoyed Lynne Truss's Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation, the illustrated children's versions so far -- last year's Eats, Shoots & Leaves: Why, Commas Really Do Make a Difference! and this year's The Girl's Like Spaghetti: Why, You Can't Manage without Apostrophes! -- have left the kids and me a bit cold. Though I have no doubt that Penguin/Putnam is enjoying parceling out the ideas from the original in 32-page picture books; I believe the hyphen is up next. Stay tuned. As an aside, Laura (age 10) has found the Eats, Shoots & Leaves 2008 Day to Day Calendar, meant for adults I think, more intriguing and appealing than the picture books.

The grammar reference book that seems to get the most use around here by the kids is The Usborne Guide to Better English by Robyn Gee and Carolyn Watson; it's what Usborne calls a "bind-up" of its three books on grammar, spelling, and punctuation, and like some of the publisher's books it's also "Internet-linked". It doesn't seem to be in print in the U.S. anymore, though it is in Canada; perhaps check with your friendly Usborne rep. A book this good and helpful should certainly be more widely available. It is, indeed, included on the Plain English Campaign suggested reading list.

Americans will find in the Usborne Guide some noticeable differences -- in some of the spelling and terminology (what we call a period the British call a "full stop", which does make good sense, especially when you're teaching youngsters to read) -- but nothing insurmountable. Lighthearted without being silly or goofy, and illustrated with small cartoons and comic strips, the book is full of easy explanations and handy dandy tricks; Davy particularly appreciates the following in the section on nouns: "Nouns can usually have the, or a, or an in front of them. Try putting the in front of the words on the right to find out which of them are nouns." (saucepan, finger, happy, rocket, sometime, heat, daffodil, never, sky, have)

October 26, 2006

Minding the (grammar) gap

Two articles this week about the importance of good grammar, though the first seems to indicate that good grammar is useful mostly for passing tests, the SAT in particular. The Washington Post holds that "Clauses and Commas Make a Comeback". Well, in some places:
The National Council of Teachers of English, whose directives shape curriculum decisions nationwide, has quietly reversed its long opposition to grammar drills, which the group had condemned in 1985 as "a deterrent to the improvement of students' speaking and writing."

Now, even the sentence diagram, long the symbol of abandoned methodology, is allowed, if not quite endorsed, in the classrooms of Fairfax and Howard [Counties in Virginia] and other high-performing school systems throughout the region. To diagram a sentence is to deconstruct it as if it were a math problem, with the main noun, verb and object written on a horizontal line and their various modifiers attached with diagonals.

"Our time has come," said Amy Benjamin, who presides over a council committee that concerns itself with grammar. In 17 years, her Assembly for the Teaching of English Grammar has evolved from "kind of a revolutionary cell" into standard-bearers.

The nascent movement to restore overt grammar instruction began subtly. A 2002 council publication reasserted the importance of "knowing about grammar" and encouraged teachers to "experiment with different approaches," including traditional drills and diagrams. ...

An informal survey of Virginia and Maryland school systems suggests that grammar education is re-emerging slowly. The Loudoun County school system offers an annual summer staff development session called Grammar for English Teachers, tailored to teach the basics to teachers who didn't learn them in college. "It usually fills up pretty quickly," said Carrie Perry, supervisor of English language arts in Loudoun.

The Howard County school system "has returned to the importance of teaching grammar" in the past two or three years, said Zeleana Morris, a language arts coordinator.

The revolution might never reach many classrooms. The newest English teachers are products of a grammarless era, unprepared to distinguish an appositive from an infinitive.

"What you have is a generation of teachers from the early to mid-'70s who don't know grammar, who never learned it," said Benjamin, an author of the national council's publication. "We have armies of teachers, elementary teachers and English teachers, who don't have the language to talk about language. It's kind of their dirty little secret."
And, with thanks to the Old Curmudgeon for passing it along, this article from the The Guardian, "Mind Your Language -- It Matters!", an excerpt from the new book by John Humphrys:
Language is more than a tool for expressing ourselves. It acts as a mirror to our world, reflecting back to us the way we live. It reflects our attitudes about the way we see things and how we are seen by others: in public life; in politics and commerce; in advertising and marketing; in broadcasting and journalism. Yet the prevailing wisdom about language seems to be that "anything goes".

Word by word, we are at risk of dragging our language down to the lowest common denominator and we do so at the cost of its most precious qualities: subtlety and precision. If we're happy to let our common public language be used in this way, communication will be reduced to a narrow range of basic meanings.

That, of course, would be rather convenient for the snake-oil salesmen, unscrupulous estate agents and (dare I say it?) even some politicians who might prefer not to be pinned down to anything too precise. But why should the rest of us settle for the lowest common denominator communication?

At this point, it's also important to be clear about what should not worry us. I don't get all agitated when a young lad is discussing the merits of one MP3 player against another in a language that may be alien to me. And he hardly needs to speak formally correct English when he's chatting up girls in a pub. He has his world and I have mine and we each speak our own kinds of English in them. But we also have a shared world where we need a dependable common language if we're all going to get by.

It is not a case that language should never change, because of course it always does, but that grammar matters. One of the daftest things we have ever done in our schools was to stop teaching it to children. Academics who should have known better came up with the absurd notion that rules somehow confined children, restricted their imagination. Understanding the basic workings of grammar – even if you don't observe all the rules to the letter – can liberate. If you don't know how to construct a sentence, how can you express yourself?